
Tom Junod
Writer at Large
Esquire
On September 12, 2001, The New York Times
published a photograph of an unidentified man jumping from the North
Tower of the World Trade Center. Two years later, Tom Junod wrote
about his search to learn the identity of the man in a gripping
account that forced readers to re-examine their feelings about what
transpired that day. Junod’s story displayed intellectual
fearlessness for exploring terrain avoided by other journalists,
particularly after newspapers that ran the photo of the Falling
Man were forced to defend themselves against charges that they were
exploiting a man’s death. Touched in different ways by Junod’s
piece, Esquire readers responded with hundreds of letters
and thousands of calls—some thankful, some angry. “A
common theme in the letters,” said Esquire Executive
Editor Mark Warren, “is that the readers were not aware that
they had anything more to feel about September 11, 2001, and that
The Falling Man showed them otherwise.”
The Falling Man
September 2003
From the beginning, the spectacle of doomed people jumping from
the upper floors of the World Trade Center resisted redemption.
They were called “jumpers” or “the jumpers,”
as though they represented a new lemminglike class. The trial that
hundreds endured in the building and then in the air became its
own kind of trial for the thousands watching them from the ground.
No one ever got used to it; no one who saw it wished to see it again,
although, of course, many saw it again. Each jumper, no matter how
many there were, brought fresh horror, elicited shock, tested the
spirit, struck a lasting blow. Those tumbling through the air remained,
by all accounts, eerily silent, those on the ground screamed. It
was the sight of the jumpers that prompted Rudy Giuliani to say
to his police commissioner, “We’re in uncharted waters
now.” It was the sight of the jumpers that prompted a woman
to wail, “God! Save their souls! They’re jumping! Oh,
please God! Save their souls!” And it was, at last, the sight
of the jumpers that provided the corrective to those who insisted
on saying that what they were witnessing was “like a movie,”
for this was an ending as unimaginable as it was unbearable: Americans
responding to the worst terrorist attack in the history of the world
with acts of heroism, with acts of sacrifice, with acts of generosity,
with acts of martyrdom, and, by terrible necessity, with one prolonged
act of—if these words can be applied to mass murder—mass
suicide.
Tom Junod started his journalism career at
Atlanta Magazine, before moving on to Life, Sports
Illustrated, GQ, and Esquire. At GQ,
Junod won two National Magazine Awards, the first for a profile
of an abortion doctor, the second for a profile of a rapist undergoing
therapy while enduring what is known as "civil commitment."
At Esquire, Junod has written profiles of Kevin Spacey,
Hillary Rodham Clinton, Fred Rogers, and FBI counter-terrorist expert
John O’Neill, among others, and reported on American hostages
in Equador. His 2003 piece, “The Falling Man,” is a
finalist for a National Magazine Award this year. Junod, 46, whose
first job out of college was selling handbags, splits his time between
Atlanta, Ga. and Shelter Island, N.Y. with his wife, Janet, and
their daughter Antonia Li.
"The Falling Man"